Bibiana Rojas Gómez (1989) and Juan David Cárdenas (1979) have focused on blending audiovisual essay, fiction, and experimental documentary with archival material. The Sound of Crickets (2022) combined these elements to strong reception, especially in Latin American exhibition spaces. The End of Times involves the same variables while adding an exploration of A.I.. Their main interest aligns with what they have termed “audiovisual anarchivism,” a practice that uses archival material in a free and experimental way to fictionalize the past in order to make the conception of alternative futures possible.